Reading through these comments it seems that many lemmings have wildly optimistic ideals about ethics in the “true crime” genre of documentaries.
Even for sincere documentarians, presenting unvarnished history accurately and completely is an impossibility. For the bad-faith actors, you’d be amazed at how much is outright staged or otherwise faked. The only rule is that it be entertaining.
As far as “true crime”, the question of “should we even make this” is pretty ethically fraught. True crime is cheap, popular, and stuffed to the brim with hacks and bad faith actors.
sic_semper_tyrannis@lemmy.today 7 months ago
“A primary concern for Petrucelli, Jenkins, and Antell, longtime documentary filmmakers and co-founders of the Archival Producers Alliance (APA), is to avoid a situation in which AI-generated images make their way into documentaries without proper disclosure, creating a false historical record.”
They shouldn’t be in a documentary period. A documentary is meant to be factual and historical so nothing fake should be injected into it.
KoboldCoterie@pawb.social 7 months ago
Documentaries often include recreations of events, such as historical events that weren’t filmed. It’s usually noted as being a recreation or re-enactment. If AI-created images are used instead and are noted as being such, I don’t really see the problem, assuming the images are curated to depict the scene accurately.
DdCno1@kbin.social 7 months ago
The problem in both cases is that people remember these artistic depiction as real, even if there's a disclosure.
ringwraithfish@startrek.website 6 months ago
This is how I’m leaning too. If done appropriately this should be no different than “this is a reenactment of events” seen in 90s and 00s true crime shows.
The big challenge is getting the content creators to respect that template and not bury the disclosure in the credits.
just_another_person@lemmy.world 7 months ago
A recreation is a scripted recreation, and I believe legally required to be noted as such. Whether that’s in the credits or on screen at time of playing I think is at the discretion of the filmmaker and editors.
Wildly different concept than generative AI models doing whatever they feel. At the end of the day, I can see why some people can’t see the difference, but it’s huge. I’d also say that if the former were improperly used in a horrific way, you’d just say “Well the viewers can stay away from that documentary”, but as we we’ve all seen over the past decade or so, once the falsely represented account of events is out there, you can’t stop it from spreading. Whether is a still image, or a reenactment. One has current legal repercussions and is covered by libel and slander protections, and the other doesn’t. World of difference.
homesweethomeMrL@lemmy.world 6 months ago
Yeah they shouldn’t do that either
Flying_Hellfish@lemmy.world 7 months ago
Just to play devil’s advocate, does that mean any “artist rendering” shouldn’t be in a documentary? Documentaries have had drawings, with a disclaimer that it is an artist rendering, for as long as I can remember. Or what about when they hire actors to do a “dramatization” of what happened, how is this different?
rdyoung@lemmy.world 7 months ago
They are different because they are clearly not real images or video. The fact that we can generate images of whatever we want that are near if not impossible to discern as fake by the naked eye, means that they shouldn’t be in there at all.
dumbass@leminal.space 6 months ago
As a wrestling fan I know to never fuck with the APA!
littletranspunk@lemmus.org 6 months ago
If you trust a documentary like this then I don’t trust your reasoning. “Vaxxed” is a documentary that, incorrectly, talks about the dangers of vaccination.