nyan

Quest for Odin is the only anime I have ever fallen asleep during. Take that as you will.

Well, pretty much everyone in the first season of Promised Neverland is good at mind games, regardless of their role in the story. (As for the second season, it never existed, m’kay?)

The only theme music that’s currently sticking in my head is Stellar, the ED for Secret Saint. The others have thus far been in one ear and out the other. (As for the accompanying visuals, unless they’re unnecesarily sexualizing a character I usually don’t care much, and they’re not doing that here.)

Madoka Magica is an obvious one.

You know that line about ending up valuing what you measure? Money is very easy to measure.

It’s the same problem as all other media, I expect: production costs have risen and studios (which tend to be run by businesspeople and not artists) want a guaranteed return on their investment, so they don’t want to take a chance on anything without a proven track record of some sort.

My understanding is that they discovered they’d bitten off a bit more than they could chew (or at least fit into the intended episode count) when they were too far into production to pull back, and that’s why the guy from the other continent appears in one episode of the main series, then is never spoken of again in the main run but has an entire episode-length OAV to cover his backstory. (I’m still not sure whether they should be called “OAVs” when the A stands for “Anime”. ODVs?)

Anyway, we’ll see if they manage to fold things back together when the second season airs next year.

Actually, my first thought on seeing that shot was, “Reminds me of the first ep. of Lord of Mysteries.” So the technique itself isn’t that innovative, although applying it to a show intended for the Japanese domestic market might be, since Lord of Mysteries is a donghua.

.hack//SIGN did not age well. It got some decently positive reviews when it first aired, but was just about unwatchable when I rewatched it ten years later. But yeah, the soundtrack (early Yuki Kajiura) was always the best part.

Aria was another early work in this area, but I don’t know how much it influenced later shows because this is so not my genre.

So far, I’ve dropped four series: Marronier (just too slow-paced), Dandivine (I can see what they’re going for, but it didn’t evoke the right kind of nostalgia for me), Laid-Off Cheat-Granting Mage (artwork style used for background characters was unappealing), and Horror Collector (the horror bits were just too clichéd).

Hanging by a thread: Firefly Wedding (we’ll see what I think after I’ve watched the second episode), Suikoden (I have fond feelings for the game and want to see how they handle the adaptation, but was not overly impressed by the premiere).

Haven’t watched yet: Dark Machine and the as-yet-unpremiered Fool Night.

Best surprise so far: Psyren—I won’t claim it’s brilliant, but as an action show to crash in front of and turn your brain off, the first couple of eps have worked.

My guess is that it’s a form of test run backed by someone with political designs on the throne. Given that there’s a famine in progress, a supply of grain contaminated with ergot could wreak some pretty serious havoc, but they may have wanted to know exactly how much damage it would do before deploying it.

Yeah, it looks like someone used “diameter” where they should have used “circumference”. Whether that was the scriptwriter or the translator . . . 🤷

Yes, when it first aired, so I may be fuzzy on details.

It isn’t a bad show, but it isn’t quite up to the standards of the original, either, which I would bet on being one of the major reasons it gets dumped on. It does recapture some of the atmosphere, but Madoka Magica was pretty tightly written, while I found that Magia Record dragged a bit. Two cours for maybe a cours and a half worth of story.

Holding the last four episodes back for months after the rest of it had aired didn’t do it any favours either. I remember being somewhat lost when it resumed.

Tempau: This show started really promising, but now I’m pessimistic, because it seems like any other rpg slop.

Assuming that’s a typo for the untranslated title of Overgeared, my memories of the portion of the novel that I read suggest that it is indeed an undistinguished Korean VR tale.

The Suikoden games are not all that tightly linked, if that helps. 2, which is what they’re basing the anime on, has a different protagonist than 1 and takes place in a different location in the same world, although some secondary characters do appear in more than one game.

I don’t know what they were planning to do by poisoning, but not killing, and kidnapping Myne.

I got the impression that they weren’t trying to poison her, just drugging her unconscious to make the kidnapping easier, but the drug they used reacted badly with her existing congealed mana issues.

Silly awards time!

• Most Disappointing: This one’s a tie. First up, Buchigire Reijou wa Houfuku wo Chikaimashita/A Livid Lady’s Guide etc. I dropped this abruptly mid-season when the main character decided that taking out innocent third parties as part of her revenge was apparently just fine and didn’t deserve even a moment of guilt. Secondly, Rakudai Kenja/Talentless Sage. After a surprisingly good opening episode (considering the hackneyed premise), this one proceeded to gradually drop the ball as it acquired a harem trope, then descended into utterly unnecessary torture-porn for an episode and a half to emphasise that one of the antagonists was a really really really bad person, m’kay? The sheer amount of material suggests disturbing proclivities on the part of the original author. To add insult to injury, the antagonist whose evils they spent so much time lovingly detailing was a total pushover the MC spent less than five minutes trashing afterwards.
• Most Motion-Sickness Inducing: The Exiled Heavy Knight etc. I mean, it’s GoHands—enough said.
• Best Use of a School Setting: Clevatess . . . because it largely ignores that it’s a school setting that the characters have been sent to infiltrate. There’s no time wasted on school cultural festivals or on the characters panicking because one of the other students asks them an innocent question.
• Most Pleasant Surprise: Sayonara Lara. I almost didn’t watch this one, because I was afraid it would get bogged down in literal fish-out-of-water comedy (which doesn’t interest me), but it managed to maintain its tone despite that aspect.
• Worst Visual Effect: Thunder Three. This is a rather odd show, quite a bit darker than the first episode would lead you to expect. However, the halo of halftone dots around the main characters irritated me beyond measure. It was somehow even worse than the disjointed artwork styles of the runner-up, Exiled Heavy Knight.
• Mascot That’s Most Likely To Eat Your Face: Thunder Three again. It actually has two (arguably three) animal mascots. The bulldog is fine in both versions, but the alien winged mouse critter looks highly suspicious to me. I think it’s the way it always has its tongue sticking out. Anyway, I keep expecting it to eat someone.
• Most Obnoxious Protagonist: Dogulwang/Tomb Raider King. He isn’t really evil or anything, just snarky and exasperating in a way that makes you want to slap him sometimes.
• Best Dragon: Neko to Ryuu/The Cat and the Dragon. Of course.

I know, right? I tried one ep and bounced right off, but I’ve encountered people who praise it to the skies. I suppose it’s one of those shows that gets described as “highly polarizing”.

If I wanted to pick one game/sports/mundane competition anime for a list like this, I probably would have gone with Chihayafuru, but the list-maker doesn’t seem interested in shoujo.

Kimetsu no Yaiba is pretty, but it has no depth. The items on the list seem to at least be trying for soem depth, although it’s arguable whether they all succeed. The list-maker didn’t include Jujutsu Kaisen either, which is another widely-praised show with similar problems.

Grave of the Fireflies is kind of the wrecking-ball version of this. Powerful, not subtle, and leaves you utterly devastated.

(Runner-up for me might be Gurren Lagann.)

Less repeated footage, but it feels like more repeated plot.

I’d much rather have the right outcome (= not executing an elementary-school-aged kid for being the kind of ignorant idiot kids that age often are) for the wrong reason than the wrong outcome for the right reason (in this case, enforcing a law uniformly regardless of the identity of the accused—does that even constitute a “right” reason if the law itself is unjust?)

That’s totally aside from the fact that they still need his mana and therefore can’t afford to kill him. Enforcing the law uniformly might lead to a bunch of other, completely innocent people being hurt because they’ve destroyed a resource. In the real world, that’s the kind of thing that tends to get sentences commuted.

I agree that he was underpunished, but execution seems a bit harsh—he is only a kid, and they need his mana (and no one else’s kid could have been in that position anyway, because of the requirements to open the tower door). Disinheriting him completely and permanently would have been about right, I think. There’s no way he would ever make a competent archduke anyway, with his credulous personality. He surely must have been warned about other nobles’ kids, and didn’t listen.

Suggesting another avenue of research she can pursue might keep her treading water. “Yeah, so, something recently demonstrated to me that time travel using magic may be possible—maybe we can send you back to the exact moment you ended up here and shove you through the world-wall in the opposite direction while there’s a hole there?” It barely even matters if it makes sense, so long as it gives her a straw to grasp at.

“Yeah, we should try talking first,” pretty much sums up Rimuru’s philosophy in a nutshell.

I think the idea is that Isaac actually loves his son, but is really awful at showing it because he’s bought into all this nonsense about how a noble should behave. Plus, he has a temper. He flew off the handle and disowned Elymas because he was disappointed and felt his hand was being forced because the head of his house “had” to be a swordsman or related class, and he probably went off to cry in private afterwards—or so the writer(s) would like us to believe.

Anyway, he wasn’t the one who wanted that confrontation—he originally asked the butler to take care of it, remember? Malice was the one who pushed for him to come down hard on Elymas. It isn’t clear whether he went along with that to please her because she’s now his heir and they have to work together, or for some more emotional reason that he would never admit.

My guess would be that Crunchyroll doesn’t have the streaming rights, then (maybe it went to Amazon or Netflix?)

Escaflowne: Wouldn’t work quite as well without Hitomi’s decision at the end of which world she really belongs in.

The Twelve Kingdoms: Portions of the plot wouldn’t work without the bit with new arrivals not understanding the language and culture.

(Basically, if it predated the coining of the term “isekai” and has stood the test of time well enough that people still remember it, it’s probably good.)

There are also some shows whose plot depends on being able to invert part of the trope, like Eminence in Shadow, or, for the dark and serious version, Shokei Shoujo no Virgin Road/The Executioner and Her Way of Life (although I think that one was too tragic and unfinished for most people’s tastes).

I’ll nominate Shadows House, although it certainly isn’t a traditional mystery.