Creating intrigue is relatively straightforward if you don’t worry about sticking the landing.
Comment on One thing the fandoms can agree on.
ummthatguy@lemmy.world 10 months agoWhat’s annoying is that he’s good at pacing and creating intrigue. He just never knows how stick the landing without turning the plot into swiss cheese.
semi_sentient@sh.itjust.works 10 months ago
ummthatguy@lemmy.world 10 months ago
samus12345@lemmy.world 10 months ago
Yup. Have weird shit happen, don’t bothering explaining why.
dejected_warp_core@startrek.website 10 months ago
Basically, writing movies like running a 100% improvised DnD campaign. Which is to say it’s great, as long as your audience signed up for repeated intellectual kicks to the groin.
Hugin@lemmy.world 10 months ago
Is he good at pacing? His movies are just go go go go without any room to breathe.
scytale@lemm.ee 10 months ago
He’s a great visual director, but he needs a good writer to keep him on check.
ummthatguy@lemmy.world 10 months ago
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setsneedtofeed@lemmy.world 10 months ago
Jorge is a fantastically creative guy. He needs limitations on that creativity, but he is undeniably a foundation of ideas.
JJ Abrams mostly regurgitates without having any truly unique ideas. Especially in Star Wars and Trek, he took a bunch of the most surface level aspects from the franchises and threw them in without really doing anything with them.
sentient_loom@sh.itjust.works 10 months ago
His black box storytelling is garbage and the coincidence-based plot in that SW movie was unforgivable.
The_Picard_Maneuver@startrek.website 10 months ago
Wait, is that what J. J. stands for?
ahornsirup@sopuli.xyz 10 months ago
It is now.
dejected_warp_core@startrek.website 10 months ago
I’ll add that this didn’t start with the SW prequel movies either. The various essays on the topic typically focus on The Phantom Menace to make this case (see: Red Letter Media); we do love to hate on that movie. But if you look to early drafts of the very first Star Wars movie script, it’s clear that it took a village to make it more than B-movie material. Also, the making-of stories are complete with every kind of move-making person improving and adding to our producer’s vision, right down to salvaging the whole mess in the editing room. It’s been a problem the entire time.
Now I wonder if THX-1138 and American Graffiti have similar war-stories behind them.