The 'John Wick' prequel follows the origin story of Winston Scott (Colin Woodell), the powerful owner of the iconic hotel-for-assassins from the franchise films.
the decision to cast mel gibson is terryifing, yeah lmao
‘The Continental’ EPs on “Terrifying” Undertaking of a ‘John Wick’ Spinoff Without Keanu Reeves
Submitted 7 months ago by realcaseyrollins@kbin.projectsegfau.lt to moviesandtv@lemmy.film
Comments
Kovu@lemmy.world 7 months ago
originalucifer@moist.catsweat.com 7 months ago
him and tom cruise. terrible people with great bodies of work. its been hard for me to separate the art from the artist
bobotron@lemm.ee 7 months ago
I was a Wick-stan for sure but after the last one I think I’m done paying for these movies
ModernRisk@lemmy.dbzer0.com 7 months ago
Sail the high seas.
bobotron@lemm.ee 7 months ago
Yerp
derin@lemmy.beru.co 7 months ago
I really liked the last one :(
emptyother@programming.dev 7 months ago
Me too.
They cant really have enjoyed the movies much if two hours every third year is too much for them.
gregorum@lemm.ee 7 months ago
Would it just be a series of films about competing hotels? Sounds weird.
autotldr@lemmings.world [bot] 7 months ago
This is the best summary I could come up with:
Directed by Albert Hughes, The Continental is a prequel to the John Wick films that takes place in 1970s New York City.
“We did a Zoom and he was excited to talk and tell me [to] basically do what you need to do that inspires you,” Hughes says of his early discussions with the director, who told him to do his own thing.
And amid the double strike, below-the-line talent are taking center stage on Hollywood PR campaigns, as studios are forced to get creative without actors and writers.
One week before the show’s premiere, reporters and influencers were invited to The Hollywood Roosevelt hotel for a day of assassin training, featuring a behind-the-scenes look at The Continental’s stunts, sound, costume and production design.
At the interactive-style junket, action director Larnell Stovall picked out volunteers from the audience to learn a brief stunt sequence, while standing on a live set inspired by the show.
“We get a shout out from the actors maybe every now and then… but that’s what we signed up for.” The stunt expert hopes that this kind of exposure for below-the-line work will inspire others interested in the field.
The original article contains 730 words, the summary contains 193 words. Saved 74%. I’m a bot and I’m open source!
Deftdrummer@lemmy.world 7 months ago
Honestly the series ran it’s course after the 1st one anyways but the Hollywood machine needed Keanu in another quadrillogy.
The mythical way the “world” operated was novel in the first film but I do not condone fleshing out an entire “world” based off the hotel rules which were becoming a trite plot point as it is.
Toribor@corndog.social 7 months ago
By the second movie I was laughing at how the entire world seemed to be secret super assassins. As if the whole economy revolved around gold coins and killing people. It totally lost any connection to the real world and only got wackier from there.
Great action choreography though.
CeruleanRuin@lemmings.world 7 months ago
That’s when I just imagined that the John Wick universe was just another level of the Matrix, and it all clicked into place and that aspect of it didn’t bother me any more.
Deftdrummer@lemmy.world 7 months ago
I would argue Goslings The Gray Man is done better. Similar type of film but better.
originalucifer@moist.catsweat.com 7 months ago
agreed, theres no way this can compete with the original. it needs to stay undefined (subjective viewer assumptions) for it to be cool. detailed exposition completely ruins the mystique
And no keanu? seems ... weak. i dont see a season 2