Comment on After announcing increased prices, Spotify to Pay Songwriters About $150 Million Less Next Year
red@sopuli.xyz 6 months ago
I mean, Spotify is a great service for the consumer. One reasonable monthly fee for most of the music in the world.
If a similar video streaming service existed for 40€/month, I’d pay for it in a heartbeat.
We’re all aware of the issues it created for the artists, and I’d be willing to double the fee if that money directly went to the artists, but this is where the capitalist model fails, as that won’t maximize the profits for shareholders.
If we ever come up with a way to fix the underlying greed models that come with publicly traded companies, that would be great.
As it stands, it is what it is, but I’m glad we have this, instead of a “different Spotify per music publisher”.
I’m glad we have this, instead of a “different Spotify per music publisher”.
What would be wrong with a model where artists had their own website where they could distribute their music? That’s what Faircamp does. Then people could actually download it, rather than use a companies crappy client with DRM.
I was referring to the sharding that happened with video streaming services. It used to be Netflix had mostly everything, in the start, similar to Spotify. Now there are services per publisher that contain their own catalogues.
Fuck. That.
So you’d rather a monopoly?
Spotify isn’t the only service currently.
Like I said in my op: it’s good service for the consumer. It might not be if enshittification ensues.
But compared to video streaming, it’s awesome.
No, dude… Spotify doesn’t have exclusive streaming rights to its music
Spotify is a great service for the consumer. One reasonable monthly fee for most of the music in the world.
Plus ads.
instead of a “different Spotify per music publisher”.
I was perfectly happy with Napster, before it got blown up.
As it stands, I’ve been leaning on SoundCloud and Bandcamp when I’m hunting for something indie and pirating or going vinyl for anything mainstream.
Spotify’s model is doomed to fail over time. Far better to own the media than stream it.
Not sure about the ads? If you mean when the app notifies you about live gigs etc. then yeah, that’s shittification. Luckily it doesn’t happen on my desk or car, but I wish it didn’t sometimes appear on my phone. That’s the one thing that might push me to add music to my video streaming arr stack.
Certain content (podcasts, most notably) insert ads into the feed above and beyond what Spotify Premium ostensibly removes. There’s also Spotify’s persistent need to blow up your phone with notifications and bloat your in-app screen, but at least some of that you can silence manually.
My wife has Spotify and she’s noticed the increased pressure to be always-online, as well. We were on a flight, and she’s got her take-off chill music, when she discovered putting the phone in airplane mood before starting up the app caused a bunch of bugs in her selection screen. Which - in the middle of a take-off that she did not enjoy - fucking sucked.
The service is definitely getting worse over time. And when you can keep an enormous library of music locally, the service becomes harder and harder to justify imho.
I’m not familiar with the free tier, but if you don’t pay anything, I think ads are fine.
Paying and seeing ads is wrong on the other hand.
Spotify’s model is doomed to fail over time.
This right here. At the very least, unless they are not beholden to shareholders, it will eventually reach market saturation and will have to cut artists’ share, hike prices up, or add more paywalls to keep the line going up
Is there a median breakdown of the split on Spotify. How much the artist get, the label and Spotify. I get that the split between artists and labels could probably vary a lot. But I get the feeling that Spotify aren’t the only one whos beeing greedy
You’d be correct
The greed isn’t inherent in the system, in the humans. We have to fix our self-serving nature first.
Oh yes why fix economic system when we can just defeat human nature. Great idea that’ll be much easier.
facepalm we are literally the same species of Homo sapiens we have been for thousands of years, the problem is most certainly inherent in the system and we need to smash the system and make something kinder.
In 2023, Taylor Swift got $100 million from Spotify. How much should she get?
Not sure what the relevance of this comment was, considering what I said
HauntedCupcake@lemmy.world 6 months ago
I’d pay 40€ a month for an officially licensed private torrent tracker. If they gave discounts based on the amount seeded I doubt they would even need the stupidly expensive infrastructure.
I don’t even have the arr stack because it’s cheaper, just because it’s more convenient and no one can take it away from me
archomrade@midwest.social 6 months ago
Maybe it’s because my schema for torrents is dichotomous with licensed uses, but I’m having trouble wrapping my head around this.
Is the distinction you’re making here between your proposed ‘licensed private tracker’ and something like a subscription-based catalogue (à la Audible) simply the way it’s distributed (in this case a centralized vs peer-to-peer)?
I like the idea of distributed media networks, but I really doubt any copyright owner would go for a distribution network that they don’t have any level of control over. The idea of an ‘officially licensed private torrent tracker’ seems incompatible with how that industry works.
I’d happily pay for an unlicensed private torrent tracker, though.
HauntedCupcake@lemmy.world 6 months ago
Totally agree, they’ll never go for that. I meant licensed in that the media is being legally distributed. But they wouldn’t go for it as it would mean that customers might have an amount of ownership