I’ve been in the audio enthusiast community for like 17 years now. When I was fresh, the internet commentators had me thinking there was some audio heaven in the high end compared to the mid range priced gear. Now I know better and the gear community is not so high end price evangelicals like it used to be. I feel like there was a before and after the $30 Monoprice DJ headphones and the wave of headphones since. Then especially IEMs. Once ChiFi really got rolling with IEMs and amplifiers and DACs, $1000+ snake oil salespeople got to deal in a way more competitive market
Same with speakers. Internet changed everything. No more at the whim of specialty audio stores stock and Best Buys. Now you got the whole worlds amount of speaker brands at a click of a finger plus craigslist/offerup. Also again ChiFi amplifiers and DACs. Also improvements in audio codecs whether for wireless or not. Bluetooth audio was awful until it stopped being awful as standards improved
These days I mostly see the placebo audio arguments in streaming service and FLAC/lossless encode fanboys. Headphone and speaker communities these days seem a lot more self aware and steeped in self-deprecating humor over the cost, diminishing returns, placebo, snake oil they live in today compared to 17 years ago. I want my digital audio cables endpoints plated with the highest quality diamonds to preserve the zeros and ones. No lab diamonds. Must natural providing the warmth only blood diamonds can provide that excel in removing negative ions. I treat my room with the finest pink himalayan salt sound absorbent wall panels to deal with the most problematic materials used by homebuilders
kabe@lemmy.world 2 weeks ago
The clamour for lossless/high-res streaming is the audiophile community in a nutshell. Literally paying more money so your brain can trick into thinking it sounds better.
Like many hobbies, it’s mainly a way to rationalize spending ever increasing amounts on new equipment and source content. I was into the whole scene for a while, but once I had discovered what components in the audio chain actually improve sound quality and which don’t, I called it quits.
snooggums@piefed.world 2 weeks ago
The push for lossless seems more like pushback on low bit rate and reduced dubamic range by avoiding compression altogether. Not really a snob thing as much as trying to avoid a common issue.
The video version is getting the Blu-ray which is significantly better than streaming in specific scenes. For example every scene that I have seen with confetti on any streaming service is an eldritch horror of artifacts, but fine on physical media, because the streaming compression just can’t handle that kind of fast changing detail.
It does depend on the music or video though, the vast majority are fine with compression.
otacon239@lemmy.world 2 weeks ago
My roommate always corrects me when I make this same point, so I’ll pass it along. Blu-Rays are compressed using H.264/H.265, just less than streaming services.
GnuLinuxDude@lemmy.ml 2 weeks ago
🤓☝️ many older blu-rays also used VC1
eleijeep@piefed.social 2 weeks ago
Higher bitrate though init
cogman@lemmy.world 2 weeks ago
People don’t like hearing this, but streaming services tune their codecs to properly calibrated TVs. Very few people have properly calibrated TVs. In particular, people really like to up the brightness and contrast.
A lot of scenes that look like mud are that way because you really aren’t supposed to be able distinguish between those levels of blackness.
That said, streaming services should have seen the 1000 comments like the ones here and adjusted already. You don’t need bluray level of bits to make things look better in those dark scenes, you need to tune your encoder to allow it to throw more bits into the void.
kabe@lemmy.world 2 weeks ago
The thing is, dynamic range compression and audio file compression are two entirely separate things. People often conflate the two by thinking that going from wav or flac to a lossy file format like mp3 or m4a means the track becomes more compressed dynamically, but that’s not the case at all. Essentially, an mp3 and a flac version of the same track will have the same dynamic range.
And yes, while audible artifacts can be a thing with very low bitrate lossy compression, once you get to128kbps with a modern lossy codec it becomes pretty much impossible to hear in a blind test. Hell, even 96kbps opus is much audibly perfect for the vast majority of listeners.
oktoberpaard@piefed.social 2 weeks ago
In a distant past I liked to compare hires tracks with the normal ones. It turned out that they often used a different master with more dynamic range for the hires release, tricking the listener into thinking it sounded different because of the high bitrate and sampling frequency. The second step was to convert the high resolution track to standard 16 bit 44.1 kHz and do a/b testing to prove my point to friends.
Valmond@lemmy.dbzer0.com 2 weeks ago
Yeah the enshittification did this IMO, we can serve 196kbps but chose to serve 128 or 96 so you really hear how shitty it sounds. Or pay extra!
Uncompressrd FLAC and other unnecessarily good recordings are useful when mixing, if I have understood it right, as it degrades quality. Otherwise I bet nobody can tell the difference between a 320 mp3 and a wave file. Guess 256 is all okay but why bother when the difference is so small?
commander@lemmy.world 2 weeks ago
Usually when I hear someone swear by lossless audio one service provides compared to another, I swear the reality is either placebo or one service is just using a better masterering compared to another. The service that has on their service the album mix and mastering. Like they could serve it as 192kbps MP3 and sound better than a lossless encoded album version with non ideal mix and mastering
kabe@lemmy.world 2 weeks ago
Oh, 100%. I actually tested this by recording bit perfect copies from different streaming services and comparing them with audacity.
I found that they only way to hear a difference between the same song played on two different platforms was 1) if there was a notable difference in gain or 2) if they were using two different masters for the same song. If two platforms were using the same master version, they were impossible to tell apart in an ABX test.
All of this is to say that the quality of the mastering is orders of magnitude more important than whether or not a track is lossy or lossless, as far as audible audio quality goes.
aesthelete@lemmy.world 2 weeks ago
Not here to argue I can hear the difference, because I can’t. But in audio collecting where the size and burden of even large lossless files isn’t much different from lossy files, why care? I download the flac files and compress upon delivery to the client where the space might be of a larger concern.
UnspecificGravity@piefed.social 2 weeks ago
I think it depends on your source.
If we are talking about a downloaded good high bit rate MP3 and a FLAC, then yeah, I can’t hear a difference.
For streaming, I CAN hear a difference between the default spotify stream and my locally stored lossless files.
kabe@lemmy.world 2 weeks ago
If we’re talking free tier Spotify, then it could actually be due to the bitrate (96kbps OGG vorbis, IIRC). However, if you’re a premium subscriber then the standard bitrate is 160kbps, which is definitely not audible to 99.99% of people.
However, after much testing, I found that a noticeable audible difference between a local file and the same song on a streaming service is almost always due to either a loudness differential or because the two tracks come from different masters.
stealth_cookies@lemmy.ca 2 weeks ago
I really noticed when I switched from Spotify to Tidal that there is something different about Spotify’s sound quality that makes it worse even at the highest streaming quality. I was surprised since I fully admit that in 99% of cases I can’t tell the difference between a 128kbps MP3 and a FLAC of the same file.
BCsven@lemmy.ca 2 weeks ago
I’m a person with sensitive hearing and mp3 always sounds muddy to me compared with a flac or wav rip. My coworker poo-pooed this notion, but I proved it to him. Mp3 does alter the sounds, most people won’t notice, but for somebody that does hear the differences its annoying. I would not spend 10k or anything. I paid $15 for an old 5.1 system, and max $80 for a pi2 with a DAC hat. LOL
For me its like if you stood outside a persons house and heard them talking vs their words coming over their TV. There is a noticable signature that let’s you hear its the TV or real people, and that’s what mp3 vs wav is like for me.
I can also hear my neighbours ceiling fan running in the connected town home. That almost inaudible drone of the motor running, drives me nuts
Uebercomplicated@lemmy.ml 2 weeks ago
I don’t about you, but in my country Tidal is cheaper than Spotify. But that might be placebo
/jk, though tidal is actually cheaper here. I can’t tell the difference in blind testing between 320 kbps mp3 exported in Reaper and the original wav; they’re indistinguishable to me. Actually, I can tell them apart with some airwindows dithers, but that is a pretty esoteric exception.