Comment on It's surprisingly easy to mix up a couple of coordinates
FlyingSquid@lemmy.world 11 months agoIt’s definitely interesting what the props and model people found from everyday objects.
In the very first show of our first season (recounts Roddenberry) (“The Man Trap” by George C. Johnson) we needed some salt shakers because we had a creature that craved salt, we had a story point which required the creature (disguised in human form) to give himself away when someone passed with a salt shaker on a tray. This posed a problem. What will a salt shaker look like three hundred years from now? Our property manager, Irving Feinberg, went out and bought a selection of very exotic looking salt shakers. It was not until he brought them in and showed them to me that I realized they were so beautifully shaped and futuristic that the audience would never recognize them as salt shakers. I would either have to use 20th century salt shakers or else I would have to have a character say, “See, this is a salt shaker.” So I told Irving to go down to the studio commissary and bring me several of their salt shakers, and as he turned to go, I said, “However, those eight devices you have there will become Dr. McCoy’s operating instruments.” For two years now the majority of McCoy’s instruments in Sick Bay have been a selection of exotic salt shakers, and we know they work, because we’ve seen them work. Not only has he saved many a life with them but it’s helped keep hand prop budget costs low.
startrekpropauthority.com/…/dr-mccoys-sickbay-on-…
For example, when the Enterprise is in Dry-dock a small utility vessel passes by. It is actually a broken toy robot foot embellished with throw-away razor handles glued to it. We didn’t have much time and used whatever was available to do the job. The makers of everyday objects do a great job of precise industrial design and manufacturing. If you can look at things independent of their actual size you will discover that the world is filled with space ship parts.
HeyThisIsntTheYMCA@lemmy.world 11 months ago
I was “propmaster” for my buddy when he was making films (just some small ones, we had a tiny crew so propmaster is really overselling it I was the guy who knew how to make shit. Also held the camera. biggest we ever got was selling a short to HBO and that was because he won a big festival. Mad props to him) and this is legitimately how we’d build our props. If it wasn’t already something we had laying around we’d head over to someplace like ACE hardware and look for cheap stuff that looked neat and we could glue/weld/bolt/whatever together and then paint. Made some really cool props that way.