Shin Godzilla was great for following the original idea behind the first movie. Also that version of Godzilla would kick King Kongs monkey ass every day of the week.
Comment on Seriously???
SuperJetShoes@lemmy.world 1 year ago
I hate that this is even a thing.
- Godzilla is a metaphor (either intended or simply ingrained in the Japanese psyche) for Hiroshima and Nagasaki
- King Kong is a “Beauty and the Beast” love story
They are from different eras and are important films in their own way.
But we end up getting this shite because monsters must fight monsters, apparently.
It’s all a load of fucking shit and devalues the importance of each movies. It should never have been made.
Anyway, I haven’t seen the movie but Godzilla would win. Atomic breath. Come on guys, the monkey’s dead meat that you can’t touch for a hundred thousand years.
TrousersMcPants@lemmy.world 1 year ago
DroneRights@lemm.ee 1 year ago
Do you still like Pacific Rim though?
Iron_Lynx@lemmy.world 1 year ago
From what I’ve gathered, not quite. The film showed up around the time of the Castle Bravo tests at the Bikini Atoll. The bomb tested there turned out to be dirtier than predicted, and fallout made it to some Japanese fishing vessels. It became a bit of an international incident.
And then the original Gojira film launched. And one early scene showed a fishing boat, which went under in a bright flash of light.
Gojira, or Godzilla as he was westernised, was not just the personification of the bombs at Hiroshima and Nagasaki, it was the personification of the fact that this could happen again.
One take on it that I’m copying
SuperJetShoes@lemmy.world 1 year ago
Yes, you’re absolutely right, I’d forgotten about that.
I think my main point is still valid though - Godzilla is a physical manifestation of the destruction that nuclear activity can cause.
As I read on another post somewhere: “Ask a Japanese, and radiation creates monsters. Ask an American, and radiation creates superheros.”
Iron_Lynx@lemmy.world 1 year ago
And that part still holds. As Godzilla moved (surprisingly quickly) from existential horror to pulp action, the radiation theme endured.