Imagine you’re finishing in 8k, so you want to shoot higher resolution to give yourself some options in reframing and cropping? I don’t think Red, Arri, or Panavision even makes a cinema camera with a resolution over 8k. I think Arri is still 4k max. You’d pretty much be limited to Blackmagic cameras for 12k production today.
Plus the storage requirements for keeping raw footage in redundancy. Easy enough for a studio, but we’re YEARS from 8k being a practical resolution for most filmmakers.
My guess is most of the early consumer 8k content will be really shoddy AI upscaled content that can be rushed to market from film scans.
Natanael@infosec.pub 1 week ago
The same argument goes for audio too.
6K and 8K is great for editing, just like how 96 KHz 32+ bit and above is great for editing. But it’s meaningless for watching and listening (especially for audio, you can’t hear the difference above 44khz 16 bit). When editing you’ll often stack up small artifacts, which can be audible or visible if editing at the final resolution but easy to smooth over if you’re editing at higher resolutions.