Stories don’t have to have “hard” magic systems to be good. I’m a big fan of the magical realism popular in Latin American fiction - where the magic is ambiguous and never quite explained at all.
The problem is the way that Rowling uses magic.
Rowling was clearly writing mystery novels, while lifting a lot of ideas for her setting from like The Worst Witch series. She uses magic spells like a Checkhov’s gun kind of thing, usually establishing whatever magical principle will save the day earlier in the novel. With a relatively self contained story, it works really well. Prisoner of Azkaban is one of her stronger books - the way that she sets up the mystery with the time turner as well as the stuff with Sirius Black, etc - because it’s very “clean” in this way. She introduces a bunch of new elements to her world, but they are all tied around supporting her story. This is good writing.
The problem is that Harry Potter books don’t work as an overarching story. It is abundantly clear that the Horcruxes and Deathly Hallows were not planned from the beginning. Rowling got to the last two books, realized that she needed to write some kind of ending, and then completely drove her plot off the rails.
You could say because she didn’t have an established magic system, it made it easier to drive off the rails, but really, it’s more that she’s competent at writing stand alone mystery novels (which really, that’s what books 1-4 are and they’re the best in the series for it) and not larger narratives. She doesn’t know how to convey the scope of a war, she doesn’t know how to tie together an Epic fantasy.
WagyuSneakers@lemm.ee 1 month ago
It’s abundantly clear the ending of book 1 wasn’t even planned. Harry Potter doesn’t even work when you look at each book individually. Even by YA standards.
andros_rex@lemmy.world 1 month ago
I rank them 3>2>4>1>5>7(w/out epilogue)>6>7
I think the ending of the first book was planned, just clumsily executed. It’s a mystery novel - she places all of these red herrings/misdirection. The reveal that Snape was actually saying a counter course with the flying bludger incident is “cute” and goes with the muddled messages and themes she has around that character.
She knew where she wanted to get to, it’s just one of the more “Idiot Ball” driven plots of the series (along with the fifth book). Harry does stupid impulsive shit because that’s his character, and the world just has to react to it. Harry logic isn’t normal people logic, so by the end of the story we’ve kinda lost track of the plot.
Horsey@lemmy.world 1 month ago
third year was my favorite as well; it was easily the most compelling story and makes the death of Sirius that much more painful in 6
WagyuSneakers@lemm.ee 1 month ago
I think that’s a very apt way to put it.
andros_rex@lemmy.world 1 month ago
I’ve had friendships end over basically that statement.
The series is pleasant to read. It’s no different than reading a Tom Clancy or John Grisham or Colleen Hoover novel, just targeted at a younger audience. The fandom culture around it was fun - especially for those of us who essentially “grew up” with Harry by being roughly the same age as him at each release.
Not every novel needs to be Pale Fire or JR.