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UnderpantsWeevil@lemmy.world ⁨3⁩ ⁨weeks⁩ ago

Gil Hochberg described “shooting and crying” as a soldier being “sorry for things I had to do.” This “non-apologetic apology” was the self-critique model advanced in Israel in many politically reflective works of literature and cinema as “a way of maintaining the nation’s self-image as youthful and innocent. Along with its sense of vocation against the reality of war, growing military violence, occupation, invasion, [there was] […] an overall sense that things were going wrong.”

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IndustryStandard@lemmy.world ⁨3⁩ ⁨weeks⁩ ago
Interesting read thanks.

Karen Grumberg noted that “the Zionist soldier, a man with a conscience, loathes violence but realizes he must act violently to survive; the dilemma causes him to weep while pulling the trigger. Looking inward, he despairs at the violence he feels compelled to enact this way because he fears his moral corruption.”

Amir Vodka wrote “It typically depicts the IDF in a critical light, as a traumatizer of young soldiers, yet the genre itself is often criticized for turning the assailants into victims, and in a sense allowing the continuation of war under the guise of self-victimization.”

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- masquenox@lemmy.world ⁨3⁩ ⁨weeks⁩ ago
  So, basically every war movie the US makes about itself.
  
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