I feel like you can't really watch trailers anymore nowadays, they tend to give away a lot of the story already. For example, I watched the trailer for the Meg 2 and it already gave away most of the twists and who would die. I know that they have to try and hype you up but it sucks when they basically spoil the movie.
Comment on Shazam’ Star Zachary Levi Calls Out Hollywood For Output Of “Garbage” Content
jordanlund@lemmy.one 1 year ago
He’s not wrong, but there a couple of problems:
A) Your average movie goer isn’t capable of telling from a trailer if a movie is going to be garbage or not. Heck, your average movie goer can’t tell from watching THE MOVIE if it’s garbage or not.
B) Levi’s last flick, while not exactly a hot mess, wasn’t exactly great either. The Skittles product placement was 110% un-necessary and backpedaling to go “no, no, it’s a family movie, see?” lowers the bar for family movies.
Just looking at this year, Cocaine Bear and The Machine probably didn’t need to happen.
coyootje@kbin.social 1 year ago
kingmongoose7877@lemmy.film 1 year ago
Your opinion on trailers is nothing new and you’re not wrong. But then you went and chose MEG 2 as your example??? 🤔 Like that movie was an Agatha Christie mystery or something?! 🤣
!moviesnob@lemmy.film
coyootje@kbin.social 1 year ago
It was just an example, I could've used most other modern movies as an example as well. It's just the most recent movie I saw and it happens to be a guilty pleasure of my GF to watch shark movies (besides sharknado, that's just way too bad), before that I saw Oppenheimer and MI 7 so I'd like to think that my taste in movies is pretty varied.
kingmongoose7877@lemmy.film 1 year ago
No, no, my apologies! I didn’t intend to imply anything. I just found the example you chose amusing!
Default_Defect@midwest.social 1 year ago
This comment reminds me of right as I was about to watch The Meg, someone told me they were blown away by the twist. “Bro, wait for it, holy shit” and “the twist” was the most predictable thing that could have happened. The fucking shark died with most of the movie left to go, how is ANOTHER SHARK a fucking crazy twist??
awkpen@lemmy.world 1 year ago
Just to note, this is so not new that the original trailers for the original release of Planet of the Apes spoiled the ending way back in 1968. And here we are today…
Chariotwheel@kbin.social 1 year ago
I think it's more an American thing.
Look at the Arrietty Trailer:
UK version: https://www.youtube.com/watch?v=sQXi1bKfiTM
US version: https://www.youtube.com/watch?v=VlMe7PavaRQ
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soupspoon@lemmy.world 1 year ago
On the opposite end, from watching the trailer I could not understand how Barbie was going to be as good as people said, it seemed so one note! I’m so glad it wasn’t all shown to me ahead of time
coyootje@kbin.social 1 year ago
I haven't seen the Barbie movie but I've heard more people say that the trailer is nothing like the movie. Interesting, maybe this will make film companies reconsider their trailer strategies.
homoludens@feddit.de 1 year ago
Your average movie goer isn’t capable of telling from a trailer if a movie is going to be garbage or not.
Of course not. A trailer is just an ad. That’s like expecting to be able to tell if a smartwatch is good after watching an ad.
So a possible solution could be professional/expert reviews. We need to be able to trust them though (no bought reviews etc.) and they shouldn’t be snobbish against pure entertainment movies. Unfortunately this will only work if people actively seek out those reviews (at least I can’t think of a way to actively push the reviews to the consumers), which does not work as long as movies are consumed in order to not think. Which they will be as long as they are as shitty and brainless as many are right now.
jordanlund@lemmy.one 1 year ago
We used to have that back in the day with Siskel and Ebert. Two, classically trained film reviewers, who had a show that aired the week before the films they were reviewing were due to come out.
Of the two, Ebert would go easier on pure entertainment movies than Siskel would. They didn’t always agree, but when they did, you could be assured it was either really good or really bad.
We don’t really have an equivalent in this day and age with review embargoes and such.
adam_y@lemmy.world 1 year ago
Classically trained film reviewers?
Not sure that’s even a thing. Sure, they were educated and well informed, still…
If you are after a popular film critic that really engages with the material, we have Mark Kermode in the UK. I might not agree with everything he thinks, but he’s consistent enough that you can use his opinion as a yardstick. I strongly recommend you check him out.
jordanlund@lemmy.one 1 year ago
Film criticism and journalism are both college level courses.
I took classes in literary ctiticism, but that wasn’t my major.
snooggums@kbin.social 1 year ago
While S & E were great for explaining why they liked or did not like movies, their opinions were still opinions and at best they gave middling reviews to the types of movies they did not like even when those movies were the best of their type.
Plus Ebert gave Anaconda a high rating and praise. Fucking Anaconda.
jordanlund@lemmy.one 1 year ago
He liked Spawn as well which I still have not entirely forgiven him for! But like I say, of the two, he was the one who went easier on populist media than Siskel did. That’s probably why putting the two of them together worked better than anyone else who inherited the shows they left as they bounced around from one to the next to the next.
Who else had their platform before Siskel died? Rex Reed + somebody else was one, and I think there was one more pair as well.
Rex Reed sticks out because he turned into a giant bitchy queen when he really hated a movie and it was hilarious.
Haus@kbin.social 1 year ago
I didn't always agree with Gene & Roger, but I did watch them every Saturday. What made it a little weird for me was watching Roger's magnum opus Beyond the Valley of the Dolls as a young adult, and trying - never succeeding - to reconcile that movie with this man I grew up listening to.
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SeaJ@lemm.ee 1 year ago
I give props to Ebert for putting his money where his mouth is and actually writing a movie.
CeleryFC@beehaw.org 1 year ago
Cocaine Bear was freaking awesome! Sometimes people don’t need an amazingly deep experience and just want to relax and enjoy themselves and have a good time.
kingmongoose7877@lemmy.film 1 year ago
I don’t know about Cocaine Bear but you’re absolutely right about the “amazingly deep experience”.
On the other hand, I don’t need a movie to treat me like a drooling idiot either. Which is more or less the topic at hand.
Parsnip8904@beehaw.org 1 year ago
Hard agree. Cocaine bear was such a fun movie!
pjhenry1216@kbin.social 1 year ago
I would argue your second statement in A) assumes that a movie can objectively be rated good or bad. Plus it also seems to claim to know exactly what people want to see from a movie. Never s fan when someone seems to say, "I know better than you do what you like."
I'll agree a trailer doesn't always do a good job. But to claim a person can't tell if what they watched is good is hardly a statement a same person would make. Possibly a narcissist would say it. Or someone else full of themselves.
There is obviously technique that can be graded, but that doesn't make a movie.
jordanlund@lemmy.one 1 year ago
Movies can absolutely be objectively rated good or bad, all the component pieces can be good or bad, writing, acting, directing, pacing, hell, even lighting, editing and special effects.
The problem is your average movie goer can’t tell the difference. Sure, if something is ESPECIALLY bad like the visual effects in the Flash, they’ll pick up on that.
Quite more often something can be entirely awful and the reaction is “Well, I had fun…” That doesn’t make it “good”.
pjhenry1216@kbin.social 1 year ago
You can have a good movie with poor elements and a poor movie with great elements. I'd even argue you can have a good movie with bad acting. Plus, it's all about the intent of the movie, as with any piece of art. Cocaine Bear had an intent. It fulfilled that intent. Claiming that art can objectively be rated is naive.
jordanlund@lemmy.one 1 year ago
Plan 9 From Outer Space is a terrible movie.
Ed Wood is amazing.
I’m sure you can tell the difference.
coyootje@kbin.social 1 year ago
I agree, movies are art and art is (mostly) subjective. Not everyone likes going to the Fast and Furious movies for example but the audience that's there for it tends to love it. Same with things like Star Wars or Top Gun. All you can objectively say is whether the movie was technically shot well and for that you need knowledge of making movies.
RyanHeffronPhoto@kbin.social 1 year ago
Movies are made for different reasons. Some are made for the 'art', but some are made simply for entertainment. Shitty B-movies are a whole genere about being so 'bad' they're fun, and that's they're purpose. Fast and Furious movies aren't being made for the art.
onionbaggage@lemmynsfw.com 1 year ago
Um… You shut your mouth. Cocaine Bear was fantastic.
MrScottyTay@sh.itjust.works 1 year ago
I actually enjoyed cocaine bear. That one felt like a breath of fresh air to the usual garbo. Was genuinely a fun film to watch where it felt like you were also watching people have fun making it.
jordanlund@lemmy.one 1 year ago
A)
kingmongoose7877@lemmy.film 1 year ago
Ouch! You’re more snob than I am! 🏆
!moviesnob@lemmy.film
snooggums@kbin.social 1 year ago
You getting snobby about Cocaine Bear?
Some movies are good because they are completely aware of how ridiculous they are.
jordanlund@lemmy.one 1 year ago
Self awareness can be fun, that doesn’t make it a good movie.
I laughed so hard at Betty White, swearing like a sailor, feeding people to a giant New England crocodile in Lake Placid, but I’d never dream of calling it a good movie.
Wanted has Morgan Freeman delivering the classic line “Will somebody, please, shoot this motherfucker?” Again, does not make it a good movie.
FoxBJK@midwest.social 1 year ago
Because the premise of the movie didn’t give that away from day one!?