Comment on Y'all can lose your mind over Kevin all you want. I'm just staring at this man...
pimento64@sopuli.xyz 11 months agoSuppose I cook you lobster ravioli as served at a Michelin-star restaurant. The filling is a perfect blend of lobster, salmon, egg white, basil, lemon zest, and seasoning. The poaching stock is expertly crafted from roasted lobster shell, carrots, celery, onions, tomato, and lemongrass, then deglazed with brandy, reduced, and strained till it’s perfect. Consider further that the pasta was made fresh by hand, and expertly stuffed, and served with lemon vinaigrette and tomato chutney, all prepared by an expert hand with fresh ingredients. It’s a perfect dish, one that has so many great things going on. It’s a balanced symphony of unique flavors interplaying perfectly.
Oh, except I used cheap, nasty, frozen lobster and it’s still raw. Oops. Are you still going to eat your ravioli anyway? No. It doesn’t matter how many great things are very much still actually happening, there’s no point in eating it now. It’s ruined. All of it.
Bad writing is the raw shellfish of media. It doesn’t matter how good everything else about the show is, because if it’s written badly, everything is ruined. It’s the one thing that can’t be forgiven and taints everything it touches at the source. Good intentions don’t make up for raw shellfish.
USSBurritoTruck@startrek.website 11 months ago
Could you give some examples of bad writing in the show? Feel free to skip the overwrought metaphor.
pimento64@sopuli.xyz 11 months ago
Well there goes 90% of the show, so no, you get the long version now.
We’re both standing in the middle of a soundstage (lit like a European discotheque), and you whisper-talk at me at a volume 0.01% louder than the score:
“I’d love to hear some of these examples of bad writing in the show! You can feel free to skip all of the overwrought metaphors.”
and I respond
“Well if I skip the ‘overwrought metaphors’, I seriously doubt I’ll have anything left to talk about!” then you say something about how hard this is on you emotionally, I quietly affirm that I’m here for you, then you bitterly reject it, and then I pinch off a pithy-sounding bon mot that’s actually nonsense, and walk off, leaving you standing stock-still in the grip of Powerful Emotions. Then we repeat all of this six more times, taking breaks for vomit-inducing scenes where 15,000 suicidally depressed animators shove every single item in the effects library onto the screen.
But seriously, I know you’re just sea lioning. It’s not possible to ask that question in good faith. Imagine if I snottily asked you to give me an example of bad writing in 1994’s It’s Pat, you would tell me “uh, fucking everything, piss off” and you’d be right to.
USSBurritoTruck@startrek.website 11 months ago
So that’s a “no?”
pimento64@sopuli.xyz 11 months ago
I believe I made it quite clear that I get to do the pithy bot mot that’s actually nonsense, stay in your lane.