Comment on This new data poisoning tool lets artists fight back against generative AI
kayrae_42@lemmy.world 11 months agoThe problem is the only way for artists to get people to see and eventually buy their art or commissions is to post some of their work publicly. Historically you would go out on the street and set up a stall, now social media is our digital street. Galleries don’t take everyone, having the ability to even get a meeting with one is difficult without the right connections. Most artists are never successful enough to completely live off their art, if they can make any money at all it is great for them. Then along comes an AI model that takes their work because it’s on the internet scrapes it into its training set and now any chance they had in an over saturated market is even smaller, because hey, I can just do this with AI. This idea that copyright and IP shouldn’t exist at all is kinda absurd. Would you just go through a street art walk, take high res photos of every picture they have on display, not take any business cards, and when they ask what you are doing, go “it’s ok, I’m training an AI data model so people can just make work that looks exactly like this. They shouldn’t have to ever buy from you. Capitalism is a joke. Bye!” The art walk was free, but it was also a sales pitch, because that’s how the art world works. You are hoping to get seen, that someone likes it enough to buy, and maybe buy more.
This idea that copyright and IP shouldn’t exist at all is kinda absurd
I don’t hold this opinion at all.
I’m just saying that there are uses for which you don’t need a license. Say, visiting an art exhibition and then going home and trying to draw similar pictures. Wether AI training falls into this category or instead requires a license is currently unclear.
Btw, two spaces before the line break
Creates the spacing you want.
As an artist who studies data science, I would say doing art and generating art are an entirely different process. AI has no reference outside of the information we give it. It had no real understanding of lighting, spacial awareness. We can tell it every tank is a cat, every flashlight is a pig and it will never question it. If we tell a toddler that every tank is a cat, they may call a tank a cat, but they will never think a that “cat” is a house pet. They will never think that “pig” will oink or be turned into steaks. An AI however would if your language conventions were the same in the prompt.
If you go to the art walk and go home and try to recreate a style, you were inspired. If an AI model is trained on many styles and you tell it “portrait, woman, Van Gogh style, painterly, blue tones” then do you understand what you asked for? Was the ai inspired by Van Gogh? Did the ai study his techniques? No. It broke down his art pixel by pixel, rearranged it in a filter styled overlay over a woman, most likely a young woman-because of algorithmic bias which has been studied- in shades of blue. Humans take the time to study the why, the how. Ai does not. Humans are not just meat robots.
I should say I’m not against AI art. I’m against gathering against consent. If it was opt in, or if there was some type of pay for program that would be fine. Even if it was pennies each month. But the fact that they scrape without consent. Or are now going back and adding it into TOS where it never was before feels scummy. AI art has a place, and is a helpful tool. But it’s not a replacement for artists, it has many flaws still, that might never be worked out.
Thank you for helping me with line break.
vidarh@lemmy.stad.social 11 months ago
For the majority of human existence, that was the default.
Copyright exists as an explicit tradeoff between the rights of the public to be able to do as they please with stuff introduced into the public sphere, and a legal limitation infringing on the publics liberty for a limited time for the purpose of encouraging the creation of more works for the public benefit. It was not introduced as some sort of inherent right, but as a trade between the public and creators to incentivise them.
Stripping it away from existing artists who has come to depend on it without some alternative would be grossly unfair, but there’s nothing absurd about wanting to change the bargain over time. After all, that has been done many times, and the copyright we have now is vastly different and far more expansive and lengthy than early copyright protection.
Personally, I’d be in favour of finding alternative means of supporting creators and stripping back copyright as a tradeoff. The vast majority of creators earn next to nothing from their works; only a very tiny minority makes a livable wage of art of any form at all, and of the rest the vast majority of profits take place in a very short period of initial exploitation of a work, so we could allow the vast majority to earn more from their art relatively cheaply, and affect the rest to a relatively limited degree, while benefiting from the reduced restrictions.
kayrae_42@lemmy.world 11 months ago
I agree that copyright lasts far too long, but the idea I can post a picture today, and in a hour it’s in an AI model without my consent bothers me. Historically there was a person to person exchange. But now we are so detached from it all I don’t think we can have that same affordance of no types of protections. I’m not saying one person can solve this. But I don’t see UBI or anything like that ever happening. As a person who has lived on disability most of their life, people don’t like to share their wealth with anyone for any reason. I’ve never been able to sell art for a living and am now going to school for data science. So I know about both ends of this. Just scraping without consent is unethical and many who do this have no idea about the art world or how artist create in general.
vidarh@lemmy.stad.social 11 months ago
I doesn’t need to be full on UBI. In a lot of countries grants mechanisms and public purchasing mechanisms for art already make up a significant proportion of income for artists. Especially in smaller countries, this is very common (more so for literary works, movies and music where language provides a significant barrier to accessing a bigger audience, but for other art too). Imagine perhaps a tax/compulsory licensing mechanism that doesn’t stop AI training but instead massively expands those funding sources for people whose data are included in training sets.
This is not stoppable, not least because it’s “too cheap” to buy content outright.
I pointed out elsewhere that e.g. OpenAI could buy all of Getty Images for ~2% of their currently estimated market cap based on a rumoured recent cash infusion. Financing vast amounts of works for hire just creates a moat for smaller players while the big players will still be able to keep improving their models.
As such it will do nothing to protect established artists, so we need expansion of ways to fund artists whether or not inclusion of copyrighted works in training sets becomes restricted.
kayrae_42@lemmy.world 11 months ago
Those grants, and public purchases make up a significant portion of income for established main stream artists. If you work on commission only online, or never went to art school those won’t cover you.
These large tech companies become so highly valued at the start because of venture capital and then in 5-10 years collapse under their own weight. How many of these have come up and are now close to drowning after pushing out all competitors? Sorry if I’m not excited about an infusion of cash into a large for profit company that is just gobbling up anything anyone posts online without consent to make a quick buck.
I’m not against AI. I’m against the ethics of AI at the moment because it’s awful. And AI leans into biases it finds and there are not a lot of oversights on this.