Comment on Harry and Ron were always bored in class because Rowling's magic system is boring as hell
ChairmanMeow@programming.dev 3 days agoI’m pretty sure Olivander already mentions when Harry chooses his wand that it’s basically a twin of Voldemort’s, and in the subsequent books it’s explained that that + Lily’s magic is causing plenty of weird things to happen, including what happens in book 4. Sure, the exact reason why it happens is still “magic” but that goes for most magic systems if you delve deep enough.
kuberoot@discuss.tchncs.de 3 days ago
The issue is that the wands being made from the same core doesn’t have any explained effect before this event, when an explanation conveniently appears, now being a known event that has happened before. The issue is that, to my knowledge, things just happen that have no prior explanation, which sugests they’re just being made up on the fly to fit the narrative, which in turn means the reader/viewer has no way to anticipate them.
In what I’d consider a “good” magic system, things fit together. They don’t have to be revealed immediately, but often there will be hints, and when the reveal is made it’s gonna at least fit into the void in prior knowledge. This is, of course, my subjective preference, but I think HP goes so far into the opposite that it’s just random stuff made up to justify whatever the author wanted to happen with no reasonable explanation.
ChairmanMeow@programming.dev 2 days ago
But isn’t that part of making the reader explore and experience the world of magic, just like Harry is? There’s no narrator here who already knows everything, you’re experiencing the stories through the eyes of Harry, and only really know what he knows. In that context, it doesn’t really make sense to have these early clues. The reader can’t anticipate everything because Harry can’t either.
Magic in general is just a plot device that can do whatever the author needs it to do.
kuberoot@discuss.tchncs.de 2 days ago
Sounds like that’s just where we disagree. I would instead say that magic is part of the world being shown in the story, and it should have an explanation, just like laws of physics. The hints come not from the narrator knowing things and dropping clues, but from the underlying logic of how magic works and the behaviors of people shaped by the magic of the world. And of course the reader can’t anticipate everything - but I also want there to be a sense of what’s possible and what’s not, and for the cases where the reader’s understanding is broken to be impactful and bring new understanding.
So yeah, in the end it’s just a matter of preference. I can look at HP and think “man, the magic just does whatever the fuck the author needs”, and other people can look at it and enjoy the whimsical adventure for what it is. Or, in a way, I guess it’s both - I can still appreciate the story, but it’s underlined with a sense of shallowness.