This is problematic at best and flat out dishonest thievery at worst.
You could say that about literally all art - no artist can name and attribute every single influence that played even the smallest effect on the work created. Say I commissioned an image of an anime man in a french maid uniform in a 4 panel pop art style. In creating it at some level you are going to draw on every anime image you’ve seen, every picture of a french maid uniform, every 4 panel pop art image and create something that’s a synthesis of all those things. You can’t name and attribute every single example of all of those things you have ever seen, as well as anything else that might have influenced you.
Whereas a work made by a person that is dirivitive or parody has actual work and thought put into it by an actual person.
…and this is the crux of it - it’s not anything related to the actual content of the image, it’s simple protectionism for a class of worker. Basically creatives are seeing the possibility of some of their jobs being automated away and are freaking out because losing jobs to automation is something that’s only supposed to effect manufacturing workers.
Even if it is dirivitive it’s unique in some way simply by virtue of being made by a person.
Again, the argument is it’s nothing to do with the actual result, but with it being done by an actual human as opposed to a mere machine. A pixel for pixel identical image create by a human would be “art” by virtue of it being a human that put each pixel there?
Grimy@lemmy.world 4 months ago
What you described is collage and is completely legal. How image generation work is much more complicated then what you are saying but in any case, both that and collage clearly fall under transformative use.
en.m.wikipedia.org/wiki/Transformative_use