I mean, come on! Star Trek is about exploring strange new worlds, seeking out new life and new civilizations, not bursting into song at the drop of a hat. What’s next? A dance-off with the Klingons? A Romulan rap battle?

I’ve stuck with this franchise through thick and thin, through the highs of “The Wrath of Khan” and the lows of “Nemesis.” I’ve even tolerated the questionable decisions in the recent series. But this… this is a bridge too far.

Star Trek is not Glee. It’s not High School Musical. It’s a science fiction show with a rich history and a dedicated fanbase who appreciate the serious themes and complex narratives it often explores. Turning it into a musical spectacle is a slap in the face to fans like me who have been with the series from the beginning.

I can’t help but feel this is a desperate attempt to appeal to a younger audience, a misguided effort to stay relevant in today’s saturated TV landscape. But at what cost? The integrity of the franchise? The respect of its long-time fans?

I’m not against innovation or trying new things. But there’s a line, and this musical episode crosses it. It’s a gimmick, a cheap trick that undermines the very essence of what Star Trek is all about.

I’ve been a Star Trek fan for over 60 years, and I’ve never been more disappointed. This is not the Star Trek I fell in love with. This is not the Star Trek Gene Roddenberry envisioned. This is not my Star Trek.

So, to the producers of “Star Trek: Brave New Worlds,” I say this: Boldly go back to the drawing board. Because this idea? It’s highly illogical.