I’m not sure I can agree. This show has come a long way from the JJ Abrams directorial tricks embraced by Discovery and other shows of this production era.

I actually thought that Producing Director Osunsamni was restraining himself noticeably in his use of whipping cameras as compared to his directing style in previous shows.

Kurtzman set a directorial mandate for the show in the opening episodes with longer pans and more close ups on the characters. He even commissioned special amorphic lenses that enable close ups within the large sets. Jonathan Frakes mentioned that the directional norms for SFA are quite different and that he enjoyed the opportunity on his episode to rely more on shots where he closed in on the characters.

For this episode, the choice of using a shifting drone view for a remote news audience made sense in the context of an otherwise static scene of Nus’ theatrical show trial.