That’s a fair example, though I should say I bailed on The Boys midway through season one. Not because it was bad, but because the mechanism felt a little too exposed for me. Once you see how it’s balancing critique and indulgence at the same time, it stops being interesting and starts feeling instructional.

That doesn’t undercut your point, though. If anything it supports it. The show works precisely because it can be read in incompatible ways at once, and different viewers walk away convinced it’s speaking for them.