Comment on Fear of 'being cringe' blamed for lack of dancing on nightclub dance floors
Ilandar@lemmy.today 2 weeks ago
I only go to raves and specific artist/label events these days, so I’m not too sure what’s happening in mainstream clubs on a Saturday night. In my experience, the dance floor is always full later in the night and people are enjoying the music and having fun. Interesting to note that one guy quoted in the article complained about people “just jumping” instead of dancing - that’s the result of genre trends in electronic music, not social media or smartphones changing our behaviour. The more popular mainstream club genres for at least the last decade have been house sub-genres like Big Room that are festival-friendly and designed to be jumped to.
sqgl@sh.itjust.works 2 weeks ago
How is the genre different from the main floor 20 years ago? This description I found makes it sound the same…
Big room dancing refers to a style of electronic dance music (EDM) that is characterized by its high-energy, anthemic melodies, and powerful drops. It is often associated with the mainstage sound of large EDM festivals and is known for its use of powerful basslines, heavy synths, and a four-on-the-floor beat.
Big room tracks are typically designed to fill large venues and create a vibrant atmosphere for dancing.
The genre has evolved over the years, with some artists exploring a harder, more techno-driven sound.
Key elements of big room music include a strong bassline, simple melodies, dynamic build-ups and drops, and a minimalist production approach.
Some of the most influential big room artists include Martin Garrix, Hardwell, Dimitri Vegas & Like Mike, and KSHMR.
Ilandar@lemmy.today 2 weeks ago
Big Room is slower than 90s Trance, usually more around the 126 - 130 BPM mark (old school Trance is more in the mid-to-high 130s, sometimes up to 142 BPM). In Big Room there are usually other elements tied directly to the kick as well, like snares, claps, hats or the bass which gives it a “jumpy” kind of feel. If you were to compare it to an older genre, it’s a lot closer to something like Hands Up or Jumpstyle which are also a big jumping genres (also think classic Eurodance like Basshunter). Designed for festivals and raves or anywhere you have tons of people packed in a tight area where they can only move vertically.
Aside from generally being faster, Trance also has a lot more complexity which means there is a lot more variety in how you can dance to it. There are extended breakdowns and slower build-ups, which is where the name comes from (people feel like they’re in a trance). Swaying, hand movements like gloving, and Tecktonik are some of the other common ways people dance to Trance subgenres. Trance and its subgenres are much more underground and niche than House and its subgenres though, which I suspect is due to the complexity and tempo making it more challenging and individualistic to dance to (some people feel more self-conscious to dance in their own unique way). Stuff like Big Room is super accessible because the structure is short and basic and it’s built around very friendly “drops” after which everyone can just jump up and down together, which I think is another reason why it has that Saturday night mainstream club popularity.
There is of course overlap between House and Trance since they are both four-on-the-floor genres and they both have tons of subgenres, some of which blend elements of both. For example, Progressive Trance is a similar tempo to House but retains the complexity and melodic structuring of Trance. In the 2010s there was also this subgenre called “Progressive House”, which had nothing to do with the more traditional Progressive House and was more like a predecessor to Big Room. “Progressive House” had some more Trance elements like atmospheric (but shorter) breakdowns and big uplifting synth leads, but it was still very much a House subgenre.
Anyway, subgenres of electronic dance music can get quite messy and there is often a lot of blending and overlap which means it’s often up to the individual how they want to define a particular track. In the case of Big Room and 90s Trance, however, there are so many major differences that they live quite firmly in their own distinct categories.