Comment on Visual artists fight back against AI companies for repurposing their work

<- View Parent
dhork@lemmy.world ⁨1⁩ ⁨year⁩ ago

I think the article is very good and well-written, and the author is probably more knowledgeable on this topic than I am, but I think it’s a glaring omission that they never mention the idea that copyright can only be asserted on the output of humans. Even the latest guidance from the Copyright Office suggests that the raw output of an AI doesn’t qualify under current law, and in order for AI to be copyrightable it needs to have a human apply some creative endeavor to it.

arstechnica.com/…/us-issues-guidance-on-copyright…

The author suggests that a ruling that an AI can’t synthesize images from multiple sources might affect human artists who use multiple sources as inspiration. But those humans can look at 5 different paintings, create a 6th which is inspired by (but not identical to) the other 5, and get copyright protection for that, to protect their creative efforts. AI cannot, under current law. So when an AI combines five different paintings, who owns the copyright on it? The Monkey Selfie was ruled to be in the Public Domain. But AI are can’t be treated similarly; It seems absurd that you can put art through an AI “copyright wash” and end up with something free of copyright.

(And it looks like in the latest guidance from the Copyright Office linked above, they say that future applications will require the author to disclose whether they used AI to generate the content, and "Any failure to accurately reflect the role of AI in copyrighted works could result in “losing the benefits of the registration,”)

Even after reading that well-written article, I stand by my assertion that current copyright law simply doesn’t protect the output of non-humans, and Congress will ultimately have to step in and define parameters for it. Until that happens, artists who can prove their work was used to train an AI have a legitimate case.

source
Sort:hotnewtop