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Comment on Star Trek executive producer wants more Strange New Worlds episodes, and I’m nervous

Part of the reason why NG was good beyond the first couple seasons was because of the open script submission policy that’s no longer in existence. According to ex-Trek producer Ronald D. Moore, they were reading something like 3000 scripts a year. It allowed them to be choosy (though there were still some stinkers). Now that the characters are established, if the seasons were longer, it might be cool to see the open script submissions come back (though, as I’m typing this, maybe implementing this during or shortly after a writers strike would be a poor choice, even though there were limits to how many scripts one could submit before going through “official” channels). Anyway, one could argue that a huge amount of ideas need to be generated for a show as great as TNG to exist, more than a small group of writers could produce. If outside script admissions were allowed, I’m sure we’d see some great sci-fi episodes from writers who weren’t even thinking “Star Trek” as they wrote them.

I’m not against filler, and my post may have come off as being that way. Not every story has to advance character or advance some storyline. I’m just against bad filler.

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gogreenranger@lemmy.ca ⁨1⁩ ⁨year⁩ ago
Just a fun note: Ron Moore got his start through that open submissions policy when submitted a script for what became “The Bonding.” He had no writing credits before that.

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- StillPaisleyCat@startrek.website ⁨1⁩ ⁨year⁩ ago
  Several of the Relaunch novelverse TrekLit authors tried out with spec scripts before being picked up to write tie-in fiction.
  
  David Mack, a film school grad, got script credits for 2 DS9 episodes, Starship Down and Only a Paper Moon before being contracted for some Starfleet Core of Engineers stories.
  
  Kirsten Beyer, a theatre grad, never got into one of the shows with a spec script, but was picked up to write Voyager books, then came full circle to be in the writers rooms on all the new live-action shows.
  
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  - Richard@startrek.website ⁨1⁩ ⁨year⁩ ago
    Wow thanks, that really explains well why the modern shows respect (at least some of) “beta canon” more than what I would expect. A natural consequence when some of the authors sit in the writer’s room :)
    
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    StillPaisleyCat@startrek.website ⁨1⁩ ⁨year⁩ ago
    David Mack was more recently a consultant for the development and first seasons of both Lower Decks and Prodigy as well. I believe we can thank him for bringing Peter David’s Brikar aliens (from the YA Starfleet Academy and the New Frontier books) into onscreen canon with the character of Rok Tahk in Prodigy.
    
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IonAddis@lemmy.world ⁨1⁩ ⁨year⁩ ago
Man, if they opened up script submissions, they’d probably be able to reap a LOT of fanfic-grown talent out there. Yeah, the slush pile would SUCK because it’s much easier to submit online than in the days of snail mail and paper, but we’ve had about 20 years of really explosive writing growth with the advent of fanfic online and as far as I know nobody’s really “mentoring” those people in this day and age.

I know people laugh and snort at fanfic, but writing is writing is writing . You’d do as well to laugh at painters who sketch bowls of fruit or sketch nudes from live subjects (as if people haven’t drawn those things for literal centuries!). It doesn’t really matter WHERE you practice and learn so long as you do it, and if fanfic/fanart/whatever gets you going, that’s how you’re going to grow your talent, by practicing over and over.

And some people get really damn good at it. If Trek opened up script submissions again, it’d open the doors to a new generation of writers kicking their careers off.

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- lucidinferno@lemmy.world ⁨1⁩ ⁨year⁩ ago
  I couldn’t agree more. With Star Trek, or any established properties where the originator isn’t in control (Marvel, Star Wars, etc.), it’s all pretty much fanfic, professional or not. The writers are playing in a world they haven’t created.
  
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